Current Issues in Music Research

Copyright, Power and Transnationsl Music Processes

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Edição: Ivan Iglesias, Pedro Roxo, Salwa el-Shawan Castelo-Branco , Susana Moreno Fernández

Temas: Música, Musicologia, Arte Musical

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Sinopse:

This book deals with current issues in music research. Written in English, Portuguese, and Spanish, it is divided into three main parts that focus on: copyright; discourse, power and memory; local and transnational music processes. In the first part, Anthony Seeger, Laurent Aubert and Carlo Nardi question the effectiveness of current copyright laws and discuss the possible contribution of music research in dealing with problems of authorship and copyright. In the second part, Pedro Nunes, Irma Ruiz and Isabel Ferrer Senabre illustrate the increasing interest of ethnomusicologists in the intersection between music and power, with subjects ranging from the popular music press in Portugal and memories of music in Spain to indigenous performances in Argentina and Brazil. In the third part, Luciana Prass, Katherine Brucher and Javier Campos Calvo-Sotelo address the global and local circulation of music, its social and political role, issues of representation, and politically engaged ethnomusicology, focusing on contemporary Brazil, Portugal, and transnational phenomena like “Celtic music.”.

Índice:

Acknowledgements

Current Issues in Music Research: Perspectives from Conferences and Publications in the Iberian Peninsula
Salwa El-Shawan Castelo-Branco and Susana Moreno Fernández

Part I | COPYRIGHT
Introduction
Pedro Roxo

1. Who Should Control Which Rights to Music?
Anthony Seeger

2. Woodstock in the Amazon and Kingston’s Ghetto Superstar. Patrimonial and moral rights versus the realities of the field
Laurent Aubert

3. Library Music: Technology, Copyright and Authorship
Carlo Nardi

Part II | DISCOURSE, POWER AND MEMORY

Introduction
Iván Iglesias

4. Das ideologias políticas às ideologias de gosto: o discurso no jornalismo sobre música pop em Portugal antes e depois da Revolução de 1974
Pedro Nunes

5. La creatividad indígena al servicio de una visibilización estratégica: las músicas públicas mbyá-guaraní
Irma Ruiz

6. Folklorismo y memoria generacional: narrativas de las realidades musicales del primer franquismo
Isabel Ferrer Senabre

Part III | RETHINKING LOCAL AND TRANSNATIONAL MUSIC PROCESSES

Introduction
Susana Moreno Fernández

7. Um reestudo etnomusicológico entre “quilombolas” do sul do Brasil
Luciana Prass

8. Pop Show! Popular Music in “Banda Filarmónica” Repertory in Portugal
Katherine Brucher

9. Los hijos de Ossian: completando el modelo analítico de la música celta
Javier Campos Calvo-Sotelo

Abstracts

Contributors

Index

Detalhes:

Ano: 2012
Capa: capa mole
Tipo: Livro
N. páginas: 200
Formato: 23x16

ISBN: 978-989-689-243-2

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